Mikhail Vrubel
Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.
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Mikhail Vrubel Head of the Demon (mk19) oil painting


Head of the Demon (mk19)
1891 Illustration for M.I.Lermontov's Poem "The Demon" Water-colour and charcoal on paper,23 x 35.6 cm Tretiakov Gallery,Moscow
Painting ID::  22351 		Mikhail Vrubel
Head of the Demon (mk19)
1891 Illustration for M.I.Lermontov's Poem "The Demon" Water-colour and charcoal on paper,23 x 35.6 cm Tretiakov Gallery,Moscow
   
   
     
Mikhail Vrubel Seated Demon (mk19) oil painting


Seated Demon (mk19)
1890 Oil on canvas,114 x 211 cm Tretiakov Gallery,Moscow
Painting ID::  22352 		Mikhail Vrubel
Seated Demon (mk19)
1890 Oil on canvas,114 x 211 cm Tretiakov Gallery,Moscow
   
   
     
Mikhail Vrubel Flying Demon (mk19) oil painting


Flying Demon (mk19)
c 1899 Oil on canvas,158 x 430.5 cm Russian Museum,Saint Petersburg
Painting ID::  22353 		Mikhail Vrubel
Flying Demon (mk19)
c 1899 Oil on canvas,158 x 430.5 cm Russian Museum,Saint Petersburg
   
   
     
Mikhail Vrubel The Demon Carried off (mk19) oil painting


The Demon Carried off (mk19)
1901 Sketch for the 1902 painting,Water-colour gouache and colour on paper,21 x 30 cm Pushkin Museum,Moscow
Painting ID::  22354 		Mikhail Vrubel
The Demon Carried off (mk19)
1901 Sketch for the 1902 painting,Water-colour gouache and colour on paper,21 x 30 cm Pushkin Museum,Moscow
   
   
     
Mikhail Vrubel The Pearl (mk19) oil painting


The Pearl (mk19)
1904 Pastel and gouache on cardboard,55 x 43.7 cm Tretiakov Gallery,Moscow
Painting ID::  22355 		Mikhail Vrubel
The Pearl (mk19)
1904 Pastel and gouache on cardboard,55 x 43.7 cm Tretiakov Gallery,Moscow
   
   
     
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     Mikhail Vrubel
     Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.

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